The male people over the globe is confronted with issues of business, legislative issues, family, various sex accomplices and, even, how to maintain their macho in a space where ladies are genuinely discovering stages to express their natural energies and notwithstanding being providers in a few homes.
Beside business challenges, ladies are beset when their spouses, regardless of their riches and solid youngsters, have various sex accomplices outside their wedding homes, particularly when the wife is putting in her best to see their marriage work. It is this whimsical mentality of a few men that make a few ladies stress like distraught and revile that men don't comprehend what they need. What's more, for the individuals who can't revile their spouses for breaking their hearts or undermining them, they acknowledged that monogamy is unnecessary, as one lady is never enough for a normal man.
Dada Playhouse last Sunday, cross examined its gathering of people with the play titled, What Men Want at One Place Plaza in Lagos.
Composed by Adelarin Awotedu with Dada Akeem coordinating, the play proceeds with the sexual orientation civil argument and showcases numerous topics like conjugal unfaithfulness, family quarrel, randy spouse and others.
Opening with Morenikeji (Josephine Dada) thinking back her past, when she and Kunle, her significant other, used to have a good time while the youngsters were away to class, her attitude all of a sudden changes, as she reviews how Kunle generally depicts her, as old fashioned and avoids home. He now keeps late evenings.
Dealing with the circumstance, as they have the quantity of kids they need and their kids are doing admirably in schools abroad, Morenikeji gets the stun of her life when Susan (Lucy Rotimi) strolls into say she is Kunle's new spouse. Brimming with wrath, Morenikeji takes it for a joke, however Susan would not go; she packs into the house and starts to make herself agreeable. What's more, this forms into a contention between Morenikeji, the main spouse, and Susan, the future second wife.
Supposing she knows how to fulfill Kunle exotic goals, the cheeky woman starts to insult the main spouse, who never neglects to tongue-lash her for wedding a man mature enough to be her dad.
Threatened by Susan's dress sense, Morenikeji sets up a battle to dress adorable to win back her significant other's affection. She, in any case, surrenders the battle when she understands she is no match for Susan with regards to such diversion. She takes comfort in the saying that says, 'the floor brush that pursued the principal spouse is at the corner to pursue the new wife.'
The two differing ladies later unites, when they heard that their significant other is wanting to take a third spouse; they plot to stop him. While Morenikeji handles the matter all the more maturely, Susan gets hot. She anticipates meeting their better half's mystery sweetheart to attack pieces.
For hell's sake, be that as it may, is let free when Susan at last meets Sidi, a 60-year old lady, Kunle is going out with. Susan assaults Sidi, who gives her the beaten of her life. Aside from being more established than the principal spouse, Sidi runs a neighborhood eatery where Kunle consistently eats. She is likewise known for giving her seven little girls to various men. Listening to this, Susan ponders what on earth could pull in Kunle to such a flippant old lady with terrible sexual history?
Straightforward and short, the 45-minute play has no male cast. Truth be told, the randy Kunle is a 'non-attendant spouse.'
What Men Want is a talk fake with multifaceted reactions. With disloyalty as primary subject, the play showcases cast whose forms of non-verbal communication dialects and tonal expressions flawlessly translate their parts. Additionally, the dramatist permits the character advancement to ascend from easy to crescendo, where Susan was beaten blue-dark and she learnt the hard lessons never to manage to an Africa man the quantity of spouses to wed. This deliberate approach of divulging the identities of the two spouses came in parts; firstly, Susan was in control in the initial couple of scenes; where she harassed the main wife. The second and closing parts saw Morenikeji coordinating issues. This time she didn't take her pound of substance on Susan, yet consoles and respects her to her home. She makes her to understand that the best way to win is to summit; to acknowledge her destiny as the second spouse with more ladies in transit.
However, the play portrays a portion of the heartbreaks the African lady encounters in marriage, it be that as it may, did not extend women's liberation, rather, it delineates the African lady as quiet, that needs to acknowledge every one of the disturbances of her better half for the sake of culture and marriage. It likewise extends the African man, as a polygamist, who attests his choices on his spouses, not disapproving if such satisfies.
Be that as it may, the center lesson is that ladies ought to invigorate their hearts against selling out, on the grounds that no lady is insusceptible to men's cajole and different jokes they utilize to get what they need.
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